An Antique Uilleann Pipe Specimen

Updated 14 April 2000
1st Version 10 April 2000


Copyright 2000 David C. Daye - all rights reserved


Questions, email David Daye at: ddaye@daye1.com


About the Antique Pipe

The specimen is owned by Robert Reid of the Cincinnati, Ohio area. It is said to have been in his family for many years and played in the past by several professional Highland pipers.

Preliminary evidence is that this is a very old specimen. In its day it would have been termed a Union Pipe. The term "uilleann" although an Irish-language term is of fairly recent origin. The family believes the instrument to be 2-3 centuries old which would place it near the time of origin of the instrument.

The set is a narrow bore or 'flat' pitch set, tuning not yet determined. It is made of a light colored wood such as boxwood or maple, with white bone and brass mountings. It has has a rotted bag, and damaged, possibly non-salvageable bellows.

Among the pipes there are 3 chanters, one of which has similar wood and mountings and may belong to the original set. Only one chanter is attached to the set and played at any one time. The chanters appear to be made of 2 or more different woods.

All the other pipes are mounted on an antique style mainstock which is completely hollow inside and has no valve or stop-key to turn them on or off. The inner ends of the pipes are mounted into the outside of the removable endcap of the mainstock. They connect through to the inside of the cap where each pipe's reed is mounted.

There are 4 drones with mountings near their ends for strings holding shut-off plugs. 2-3 of one group would have been played in one combination, and 1-2 of the others for another combination. My first guess is that the main group would support the base pitch of the chanter which in common terminology is said to be a D regardless of the actual tuning of an uilleann pipe.

In addition to the 4 drones there is one "Regulator" (the odd term for the stopped, keyed harmony-pipe).

The Bass Drone is a partial "shuttle" style. There is a loop of wood and brass which does not appear to lead to any of the pipes. In fact one end is open into the mainstock to accept its reed, like the other pipes. The other end connects through a "shuttle" or air path carved through the mainstock cap, leading to the largest drone pipe sticking out of the cap. All of this together constitutes the Bass Drone.

All of the brass tubing and ferrules are hand made from sheet metal rolled to size and soldered. Most of the old brass-to-wood and bone-to-wood joints are sound and tight. By contrast, almost every mounting on every modern uilleann pipe piece I own even from top name makers has gone loose after only 1-2 years!


Condition of the Instrument

None of the pipes is fitted with proper reeds although a cane Highland bagpipe practice-chanter reed was found in one of the chanters.

The condition is somewhat rough as might be expected of an instrument which has seen considerable use over a number of generations.

Portions of the original instrument have been crudely altered some years ago. Several alterations to the musical aspects of the chanters are evident, performed with inferior insufficiently seasoned wood or in one case, cane. Holes on one chanter were drilled out, filled with dowels and re-drilled.

The smaller drones all appear to be in playable condition. The regulator may play once the keys are repaired or replaced. The bass drone has a complex construction and a very new-appearing crack in its top bone end, which I did not see when I first viewed the instrument at a festival last autumn.

Several of the pipes have some degree of bow to them. The chanter bottoms that appear to be old are nicely round whereas the one bottom that is of newer wood has become obviously warped.


Photographs

These are actually preliminary contact scans. Proper photographs are now being made.

  1. set_all.jpg 160 KB Color view of the entire set with spare chanters positioned below.
  2. maincolr.jpg 275 KB The main drone and regulator assembly, all pipes mounted into the removable endcap of the main stock or socket.
  3. chancolr.jpg 175 KB Color views of the 2 better chanters and the wood/brass windcap. At bottom are end views of each chanter bell.
  4. chanbend.jpg Worst of the 3 chanters in several views showing severe bending in the side view.
  5. pipeends.jpg Greyscale views of the bone- or ivory-mounted ends of several of the drones and the regulator.
  6. reg_tune.jpg Greyscale view of the tuning slide at the base of the regulator.
  7. ferrule.jpg 195 KB Color closeup of one of the brass ferrules showing its slight taper and the soldered seam.
  8. setfront.jpg Greyscale view of the front of the drone/regulator assembly.
  9. setrear.jpg Greyscale view of the rear of the drone/regulator assembly.
  10. stock_in.jpg Greyscale view of the inside end of the mainstock cap showing the reed ends of the drones and regulator.
  11. stock_in2.jpg Color view of mainstock with modern crude aluminum ferrule removed and endcap with drones to side.
  12. stock_in3.jpg 175 KB Color view into hollow mainstock.
  13. bellows1.jpg Body-side view of the bellows with leather air exit tube.
  14. bellows2.jpg Arm side view of bellows showing elbow padding.
  15. bellows3.jpg Side view of bellows revealing some termite damage.
  16. name.jpg 215 KB Great enlargement of the top sections of the 2 largest drones showing possible maker's mark "B"
  17. hallmark.jpg 250 KB Great color enlargement of possible hallmark on brass bass drone ferrule.


Measurement Data


Future Plans

I have been asked to survey the instrument and help to determine if it can be made playable. I will be making a detailed photographic record of the instrument as well as careful, nondestructive measurements for comparing with the library of scores of historic pipes newly compiled by the pipemaker Craig Fischer or any other relevant pipe design information that may be available.


To E-mail David Daye click here
Telephone Columbus, Ohio USA 614-457-6191
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