Design
I've made no deliberate alterations from the design of the original chanter. The credit for the best features of the instrument goes to the original maker, and I'll take responsibility for the modern implementation and, of course, my reeds.
Construction
The chanter is traditionally reamed from a set of about 10 custom made reamers specific to this instrument. There is no brass tubing bore like the Penny-Chanter's, so it has the same lighter weight of any traditional chanter. I am using a modern cylindrical reed seat so that the reed can quickly be moved in and out for tuning. Most chanters will be made of black Delrin plastic with an entirely traditional though simple appearance for my budget market. The bottom of the chanter is brass clad; there are traditionally turned decorative ferrules of a new high quality imitation ivory in a simple shape.
For a higher price I do have woodwind grade timbers in stock, chiefly cocobolo, some mopane and African padauk by special request. Wood chanters are finished with a hard, clear durable varnish made of several layers of super glue and oil. This finish is easy to apply and yet more durable than traditional oils or varnishes, making it ideal for minimizing costs. Wood chanters will require several months wait for settling and stabilization before I can finish them for reliable service. All chanters are made without traditional integral key blocks; any optional keys are mounted with my lacquered budget style brass brackets as with the Penny-Chanters. Such keys in kit form can be added at any time by owners as well.
Sheet copper staple blanks and finished staples are for sale as part of support for the instrument, and one finished staple is furnished along with a working reed with each chanter. The owner's manual will show complete dimensions for owners or others to make staples and reeds.
Availability is expected in December when I have had time to develop production aids for both reeds and chanters. Price will be above Penny-Chanter, but still in a modest range due to simple presentation and artificial materials. Initially I discourage beginners from buying, until I gain experience supporting the instrument for more experienced players.
